with leafy trees
and traffic lights.
In this version,
I'm as comfortable as a sandwich
and can play all the parts:
the shoe
the fire
the violin
the dark.
Green is my thing.
Yellow is your color --
like a crayon sun.
Your rays won't quit.
You could grow
zinnias on the moon
with your spark.
Linda Ferguson
For Valentine's Day, for shoe box mail boxes and construction paper hearts laced with packaged white doilies, for playgrounds and paste and pianos and parents, for long foal legs and new stiff shoes that clacked and clunked down the tiled hall, for Miss Knerr who showed us a black and white film of A Midsummer Night's Dream in 6th grade, for my friend, whom I met that year, just as we were on the brink of emerging from the cocoon of childhood, with those first tender beings still nestled within ourselves.
“So we grow together
Like to a double cherry, seeming parted,
But yet an union in partition…”
—William Shakespeare, A Midsummer Night’s Dream
This is for you,
who once took me in
your wide child’s arms,
strawberry wool,
and tea in china cups,
spools of honey,
your little sisters
tumbling
like golden apples
over your bed,
the snowdrops
of your fingertips
on piano keys,
finding silver yearning
of Für Elise, dreams
unfurling from our pillows
like the peach ribbons
of a surprise party
or midsummer picnics
and the plummy pageantry
of Shakespeare’s rhymes
in the rose garden where
we romped and caught
our sleeves on the thorns
of adolescent naïveté.
Now, across a continent,
as your heart gasps
in grief’s cold tunnel
and clusters of friends
offer you tender
apricots of prayer,
may my voice be
a single petal
floating over miles of time
to land like a fingerprint
of sun on your hair,
for my words spring
from a heart that’s one half
of a double cherry
that still grows,
as ever,
next to yours.
This poem was originally published in Sparks of Calliope: A Journal of Poetic Obsesvations.
January 25, 2026
AI tells me there is hope.
It says that hope can feel
distant at times, but that it's linked
to resilience and taking action.
It doesn't mention, though,
all that's good and pretty.
And what does it say
about the state we’re in
that I would be
Googling such a thing
on a Sunday morning,
with refracted light
shimmering on the threads
of a spider web?
Linda Ferguson
Fear Marbh
Off the coast of the Dingle Peninsula of Ireland
A man shaped rock island lies,
Inis Tuaisceart, the Northern Isle.
They call him Fear Marbh, the deadman.
How does a heart and soul of a man turn to stone?
He’s been in this same spot for as long as time
and man have been around to witness him.
A man who can’t see beyond his rocky bed,
cannot recognize emotions in himself or
others, he never changes, even when storms
pass by with waves that break over him.
He does not yield, he is deaf to all that
call just like when he was a human?
Is this why his unfeeling heart has
turned to stone?
If a spark of truth should penetrate
this rock, will warmth and compassion ignite?
How many waves have pounded his side?
The cries of humanity may some day leak
through as the world circles the sun
in our vast luminous universe.
Linda Ann Fraser
1/16/2026
Inis Tuaisceart (In-is Tōōsh-kart)
Fear Marbh (Fear Mar-ov)
Here's a love poem I wrote a few years ago:
What can they know of you
or me? They talk as if you were
my concubine, following my orbit
with head bowed, three steps behind.
No one imagines how we carry
each other’s soul across the river
of the divided universe. My blush
is well documented, but not the pleasure
we take bathing in the milk of our mutual
banishment. Is our bond science
or fiction? Their calculations prove
convergence is impossible. Yet
our ice shields are lit with pulses that spike
without ever touching. When I laugh, you
feel the breath of snow drops blooming
in the frost, and your tears are butterflies
that land on my open palms. Some believe
deities watch and nod approvingly. But
from where? Look, even the radiant eye
of Jupiter is blind, a shrinking swirl of salt.
There is no above or below in infinity – we both
know hierarchy is a mortal’s dream chased
by the tiger claws of uncertainty. And so we float
in our mingled dust, embracing the solar wind
and cerulean glow no one sees but us.
published in The Poeming Pigeon: Cosmos, 2020, The Poetry Box
Playing with words and colors like a kid with finger paint, not too worried about making sense.
Look
the lake is lit
amazing
we have come
wild and light
unpetalled
love
float and sail
astonished
impossible
excess